The Criterion Collection
Essays
Feb 5, 2017 — Kirsten Johnson interrogates the thorny ethics of nonfiction filmmaking in her intriguingly elliptical blend of essay, travelogue, and memoir.
Aug 16, 2016 — Stig Björkman’s candid documentary gathers a wealth of material from Ingrid Bergman’s personal archive, revealing the star as a fastidious collector of her own memories.
May 10, 2016 — Nicholas Ray’s In a Lonely Place imbues the conventions of film noir with a subtle, tense vulnerability that lends a naturalistic weight to the film’s powerful emotional impact.
Essays
Jan 21, 2016 — In Gilda, Charles Vidor’s “violent, sexual, chaotic” noir, the director focused on Rita Hayworth’s skills as an actor and a dancer, eliciting a performance that became iconic in its own right and made her an international superstar.
Nov 4, 2015 — In the midst of a tumultuous period in his life and career, Ingmar Bergman made one of his most ebullient comedies.
Features
Jun 4, 2015 — Rainer Werner Fassbinder stocked the cast of The Merchant of Four Seasons with friends and colleagues from his experimental theater days.
Mar 16, 2015 — Director and star Robert Montgomery suffuses his moody 1947 New Mexico–set noir with palpable postwar anxiety and expressive fatalism.
Essays
Nov 25, 2014 — More than just observational, Les Blank’s sensual documentaries are personal and participatory celebrations of American culture.
May 13, 2014 — Few national cinemas have confronted the issue of preparedness for war with the creative vigor of England’s. Thorold Dickinson’s The Next of Kin (1942), Alberto Cavalcanti’s Went the Day Well? (1942, from a story by Graham Greene), and, of course,...
Feb 25, 2014 — A testament to Steven Soderbergh’s versatility, this story of a boy growing up during the Great Depression is a tender but tough-minded look at a child’s inner world.