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Sep 14, 2020 — Golden Lion for Chloé Zhao! Plus a look at what the critics have to say about all the award winners.

Sep 11, 2020 — As Toronto opens, here’s an overview of early critical response to some of the festival’s titles arriving directly from their premieres in Venice.

Aug 14, 2020 — One Scene Over the course of an adventurous career that encompassed narrative and documentary filmmaking as well as photography, sculpture, and video installation, Agnès Varda was a shape-shifter who merged her deep engagement with social reality with a playful, endlessly...

Jul 17, 2020 — Studio Ghibli for the kids, Bergman and Pasolini for the grownups, and more highlights from the week that was.

Jun 30, 2020 — Come and See (1985) is one of those films whose authority is established from its opening moments. Out in the open air, an elderly peasant dressed in a soft-peaked beret is volleying a mixture of threats and imprecations into some...

Jun 15, 2020 — The eye contact, the exhilarating anxiety of sharing private tastes, the power of knowing what you want and summoning up the courage to ask for it: in case you can’t tell, I’m talking about the once-upon-a-time experience of renting a...

Jun 8, 2020 — When she was asked to profile a director for the long-running French docuseries Cinéma, de notre temps, Chantal Akerman wondered: what better subject than herself? The producers agreed, and the Belgian-born filmmaker was inspired to edit together from her existing...

May 26, 2020 — Richard Ford’s 1990 novel Wildlife begins with this arresting sentence: “In the fall of 1960, when I was sixteen and my father was for a time not working, my mother met a man named Warren Miller and fell in love...

May 22, 2020 — This week’s round features the story behind John Cassavetes’s debut feature and conversations with Dan Sallitt and Jonathan Rosenbaum.

Apr 1, 2020 — Cultural institutions around the country are cutting back, but it’s the fear of losing Film Comment that has set off alarms among cinephiles.