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Real Life

Nov 25, 2025 Inspired by Arthur Schnitzler’s 1926 novella Traumnovelle, Stanley Kubrick’s final film is a deeply personal examination of the fragility of marriage and the destructive power of sexual fantasy.

Nov 25, 2025 Having broken through in over-the-top horror movies, Kier turned in arresting performances in films by Fassbinder, Lars von Trier, and Gus Van Sant.

Él: Mad Love

Essays

Nov 18, 2025 This tale of paranoia and romantic jealousy slyly combines the conventions of popular Mexican filmmaking with the surrealist sensibility that made its director, Luis Buñuel, a legendary figure in his native Spain.

Nov 12, 2025 He anchored some of the best films by Kurosawa, Kobayashi, Okamoto, Naruse, and Teshigahara.

The Days Go By

The Daily

Nov 7, 2025 Ira Sachs’s new film opens this week, plus: Joy Williams on Gene Hackman and Claire Atherton’s work with Chantal Akerman.

Nov 6, 2025 In the run-up to the release of Jay Kelly, the American Cinematheque presents a five-film series.

Sep 24, 2025 She won the hearts of audiences and costars in The Leopard, 8½, and Fitzcarraldo.

Sep 24, 2025 Propelled by outstanding performances from Emmanuelle Devos and Vincent Cassel, Jacques Audiard’s third feature is the rare French crime film built around a complex female character who takes initiative in a male-dominated world.

Sated Desires

The Daily

Sep 19, 2025 A week of pairings: Two films by Chantal Akerman, two essays by Serge Daney, Mike Figgis on Francis Ford Coppola, and Nadia Latif on Mira Nair.

Sep 18, 2025 This month’s programs offer a feast of horror, including a John Carpenter retrospective and a collection of the most terrifying films of the 2000s.

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