The Criterion Collection
Apr 27, 2023 — Over the course of her four-decade career, the pioneering Indian documentary filmmaker has demonstrated the important roles that joy and pleasure play in the process of political change.
The Daily
Mar 16, 2023 — New York’s Film Forum presents new restorations of the three features Moreau directed.
The Daily
Mar 14, 2023 — New York’s Museum of the Moving Image presents new discoveries as well as selections from Sundance, Rotterdam, and Berlin.
The Daily
Feb 14, 2023 — This month’s roundup opens with an appreciation of Preston Sturges and wraps with a book launch serving donuts and damn fine coffee.
The Daily
Jan 30, 2023 — The festival is sending around two dozen award-winners out into an uncertain marketplace.
The Daily
Jan 6, 2023 — The interdisciplinary Canadian artist was best-known in the States for such landmark films as Wavelength (1967) and La région centrale (1971).
Nov 2, 2022 — The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.
The Daily
Oct 11, 2022 — One mystery leads to the next over the course of twelve chapters split into two features.
Sep 28, 2022 — A long-obscure landmark of the Iranian New Wave, Mohammad Reza Aslani’s daringly ambiguous portrait of feudalism’s demise mirrors the revolutionary times in which it was made.
Interviews
Sep 16, 2022 — The trailblazing and idiosyncratic filmmaker discusses her two newly restored shorts, her childhood in Detroit, and her decision to leave the movie industry behind.