Otoñal

Jan 2, 2018 — New York. “Starting in the mid-1960s, Michelangelo Antonioni became what the German essayist Hans Magnus Enzensberger would call a ‘tourist of the revolution,’” writes J. Hoberman in the New York Times. “Antonioni left Italy to make Blow-Up (1966) in swinging...

Nov 3, 2017 — “The return of Twin Peaks in 2017 came like a Taser shock to the ‘golden age of television,’ overturning audience expectations for what Twin Peaks—and TV—could encompass, both in narrative and form,” writes Aliza Ma in the new issue of...

Oct 23, 2017 — David Bordwell’s new book, Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling, is out, and we’ll be hearing more about it soon. For now, though, New Yorkers will want to know that Bordwell’s coming to town, specifically to the Museum...

Oct 8, 2017 — Lady Bird screens at the New York Film Festival this evening and tomorrow night, and we begin with Filmmaker’s Scott Macaulay: “Greta Gerwig makes her directorial debut with this controlled, coolly compassionate and autobiographical-feeling post-9/11 teenage tale. Saoirse Ronan plays...

Sep 30, 2017 — Serge Bozon’s Mrs. Hyde premiered in Locarno in August, when we gathered a first round of reviews. It screens once more tomorrow (October 1) as part of the New York Film Festival’s Main Slate, and Bozon and his star, Isabelle...

Sep 17, 2017 — The Toronto International Film Festival has a single competitive program, Platform, now in its third year. This year, jurors Chen Kaige, Małgorzata Szumowska, and Wim Wenders have awarded the Toronto Platform Prize (25,000 Canadian dollars) to Warwick Thornton’s Sweet Country,...

Sep 17, 2017 — There’s no getting around the loaded real-world context on this one. For the Daily Beast, Richard Porton begins with the “various accusations about [Louis C.K.’s] supposed sexual misconduct, which have been floating around for years since a 2012 Gawker story...

Sep 4, 2017 — “Some films have a heat that makes you shrink from the cinema screen,” begins the Telegraph’s Robbie Collin, “After this morning’s screening of Three Billboards Outside Ebbing, Missouri, I had to check my eyebrows were still intact. The British-Irish director...

Sep 2, 2017 — “The names Joel and Ethan Coen pop up on a lot of screenplays these days (Bridge of Spies, Unbroken), now that they’re getting credit for the kind of script-polishing they used to do anonymously,” begins Variety’s Owen Gleiberman. “But Suburbicon...

Aug 30, 2017 — “Can there be any clearer signal of reality warping as we hurtle toward imminent apocalypse than the fact that Alexander Payne has made a life-affirming film?” asks Jessica Kiang at the Playlist. “Venice opener Downsizing takes the long road getting...