The Criterion Collection
Features
Dec 22, 2013 — The author reflects on his interactions with the great filmmaker.
The Daily
Oct 26, 2022 — Todd Field’s Tár leads with five, followed closely by Charlotte Wells’s Aftersun with four.
Interviews
May 15, 2019 — It may have taken nearly two decades after graduating from England’s National Film and Television School for Joanna Hogg to emerge as a feature filmmaker, but it was worth the wait. After making her thesis film, Caprice (starring a then-unknown...
Essays
Nov 8, 1999 — In The Third Man—probably the greatest British thriller of the postwar era—director Carol Reed and screenwriter Graham Greene set a fable of moral corruption in a world of near-Byzantine visual complexity: the streets and ruins of occupied Vienna. It is...
Jan 31, 2017 — Brooklyn-based director Tim Sutton stopped by for a visit and sat down to chat about the films that have inspired his work and the importance of maintaining an outsider’s point of view.
Oct 15, 2050 — Voice-over narration has existed since the beginnings of cinema and has been an integral part of some of the great masterworks of narrative film, from The Magnificent Ambersons to Double Indemnity to Jules and Jim to Taxi Driver. It spans...
Jul 30, 2013 — A genuine American movie legend, the eighty-seven-year-old producer and director Roger Corman has been in the film business since the early 1950s. He is perhaps best known for the low-budget horror films he issued with remarkable speed in the early...
Nov 27, 2012 — Writer, director, and author Paul Feig is the director and producer behind the hit comedy Bridesmaids, as well as the creator of the beloved cult series Freaks and Geeks, a director and coexecutive producer of The Office, and the author...
Nov 29, 2011 — Author Michael Korda (Charmed Lives: A Family Romance) writes: Few things are more challenging than picking ten favorites out of such a long list of distinguished films as that of Criterion, and it seems only fair to point out that,...
Jun 16, 2009 — In Tempo di viaggio (1983), the doodle Andrei Tarkovsky and Tonino Guerra made for Italian TV as they prepped Nostalghia, the great struggling Russian answers a question about genre films by saying that his Solaris (1972) is “not so good,”...