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Not So Dumb

Jun 20, 2011 Genres collide in the great Hollywood movies of the mid­fifties cold-war thaw. With the truce in Korea and the red scare on the wane, ambitious directors seemed freer to mix and match and even ponder the new situation. The western...

Apr 25, 2011 In 1981, the legendary critic went all out for Blow Out, which she thought was De Palma's most mature work to date.

Jan 24, 2011 A character-driven tale of driven characters whose professional triangle trumps their romantic one, Broadcast News (1987) takes place after the fall of the Equal Rights Amendment and before the fall of the Berlin Wall—a time when gender wars and cold...

Jan 18, 2011 In his Life Studies poem “To Speak of Woe That Is in Marriage,” Robert Lowell wrote of “free-lancing out along the razor’s edge,” a lean, glamorous, tense phrasing that invokes the Samuel Fuller of the early sixties—a director suddenly without...

Sep 15, 2009 Words are the trained fleas in David Mamet’s sidewalk circus—dirty words, often bloodstained, usually swarming, that perform their acrobatic stunts for gawkers who will likely get their pockets picked. That’s the reputation, anyhow. More than thirty years after he made...

May 20, 2009 The title alone screams incongruity. Shohei Imamura’s 1961 black-and-white caper movie Pigs and Battleships bursts with the confusion and exuberance of a cross-cultural encounter. In its lively portrayal of enthusiastic Japanese locals welcoming the U.S. Navy on R&R to the...

Jan 21, 2008 Lindsay Anderson’s adaptation of David Storey’s novel is a clenched fist of a movie that follows a professional Rugby League player who instinctively channels feeling through physical aggression.

Sep 26, 1993 Kon Ichikawa’s magisterial achievement is a barbed, poignant, and seductive elegy that draws on the skills he acquired over his four-decade career.

Feb 13, 2018 With the scrappiest of means, George A. Romero created not only a landmark of independent cinema but also an indelible portrait of America as hellscape.

Mar 13, 2025 While a film’s stars are forced to bear the responsibility of moving a narrative forward, supporting actors get to have fun providing comic relief or suggesting whole lives being lived beyond the screen.

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