The Criterion Collection
Feb 25, 2026 — The director of Civic and Now, Hear Me Good talks about how his experience as a first-generation Caribbean American and his love of Chantal Akerman’s short La chambre have influenced his work.
Feb 19, 2026 — Though in many ways the quintessential company man, the director brought an intimate understanding of the margins of American society to the films he made for Warner Bros. in the 1930s.
The Daily
Feb 3, 2026 — This year’s winners tell stories of trauma and triumph.
Jan 29, 2026 — A resounding critical and popular success upon its release, Héctor Babenco’s adaptation of a literary masterpiece by Manuel Puig was an unprecedented cinematic fusion of a radical politics of sex with a sexual politics of revolution.
Essays
Jan 20, 2026 — The constant negotiation of routine pleasure and profound sorrow—the experience of being human—is at the heart of John Huston’s final film, an exquisite adaptation of James Joyce’s classic short story.
The Daily
Jan 9, 2026 — The director of some of the bleakest films ever made once claimed all they were all comedies—except one.
The Daily
Dec 10, 2025 — To celebrate the centennial of Battleship Potemkin, the Austrian Film Museum presents a near-complete retrospective.
The Daily
Dec 3, 2025 — The Academy Museum celebrates film presentation with a series of twenty-four new restorations.
The Daily
Nov 24, 2025 — This month brings new collections from Melissa Anderson and A. S. Hamrah and a whole shelf of lives lived with the movies.
Nov 18, 2025 — A pre-Code aviation epic that makes pioneering use of the era’s innovations in cinematic color and sound, Howard Hughes’s directorial debut was Hollywood’s first modern portrait of World War I.