The Criterion Collection
Interviews
Apr 15, 2019 — It’s one thing to have wild cinematic ambitions, and quite another to pursue them without a strong technical skill set and years of apprenticeship in the craft. But from the beginning of his career, the twenty-nine-year-old, mostly self-taught filmmaker Bi...
Interviews
Sep 16, 2014 — The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...
Jun 9, 2014 — In the history of cinema, there have been several notable collaborations between a director and an actress over a series of films. Think of D. W. Griffith and Lillian Gish back in the silent era, Josef von Sternberg and Marlene...
Oct 18, 2009 — So many worlds stream in from every direction in Monsoon Wedding that it comes to seem as if the whole globe is converging on a single family home in New Delhi: relatives from Houston, from Australia, from Dubai (“Muscat, actually”);...
The Daily
Apr 9, 2026 — Film at Lincoln Center and the Museum of Modern Art introduce New Yorkers to some of the most exciting new voices in cinema.
Essays
May 24, 2011 — Andrei Tarkovsky belongs to that handful of filmmakers (Dreyer, Bresson, Vigo, Tati) who, with a small, concentrated body of work, created a universe. Though he made only seven features, thwarted by Soviet censors and then by cancer, each honored his...
The Daily
Apr 9, 2026 — Ryusuke Hamaguchi, Asghar Farhadi, Paweł Pawlikowski, Na Hong-jin, Cristian Mungiu, and Ira Sachs are headed into the main competition.
The Daily
Feb 27, 2020 — Hong Sang-soo’s The Woman Who Ran and Philippe Garrel’s The Salt of Tears premiere in the festival’s main competition.
Oct 2, 2012 — Set in 1960s Hong Kong, Wong Kar-wai’s ravishing masterpiece is both a love song to a city and a human romance of epic intimacy.
Essays
Oct 28, 2025 — An adaptation of a classic pulp novel by William Lindsay Gresham, Guillermo del Toro’s first foray into film noir is an intensely evocative exploration of how human impulses can give rise to monsters.