In a Whisper

Feb 7, 2012 — La Jetée (1963) and Sans Soleil (1983), made a tidy twenty years apart, are the twin peaks of Chris Marker’s creative achievements and his best-loved and most widely seen films. But who is Chris Marker? Writer, photographer, editor, filmmaker, videographer,...

May 10, 2011 — Something Wild asks the eternal question “What makes us happy?” But the answer it proposes is far from easily arrived at. It’s a boy meets girl story, certainly, but one that goes much deeper with that narrative than most films...

Apr 21, 2009 — “Just takes a few months to get to be a hundred. If you’re in the right place at the right time.” I first saw Henri-Georges Clouzot’s masterpiece The Wages of Fear when the restored version was released in the U.S.,...

Sep 18, 2006 — Released in 1973, in the dying days of General Franco’s forty-year dictatorship, The Spirit of the Beehive soon established itself as the consummate masterpiece of Spanish cinema. Yet, strangely, many of the gifted artists who collaborated on Víctor Erice’s first...

Apr 16, 2026 — Dozens of filmmakers will attend the third edition of the American Cinematheque’s documentary festival.

Jan 30, 2013 — The improvisational arts of filmmaking, jazz, and chili.

Oct 13, 2023 — Jordan Firstman is an actor, writer, and director best known for his popular series of impressions on Instagram. He has written, directed, and starred in several acclaimed short films, including Sold, The Disgustings, Men Don’t Whisper, and Call Your Father,...

Mar 20, 2020 — Also this week: Filmmaker and filmmakers make their work freely accessible, an appreciation of Barbara Hammer, and an interview with Jonathan Rosenbaum.

Dec 15, 2008 — Flash back to September 1968. The Swedish Film Week in Sorrento, Italy, with its alfresco suppers and its excursions to Capri and Pompeii. Ingmar Bergman was expected, and he and Liv Ullmann were assigned a luxurious villa for the duration....

Aug 20, 2024 — In her formally daring debut feature, Martha Coolidge stages a confrontation with the subject of date rape that questions the kind of “closure” required in conventional storytelling.