How I Ended This Summer

Dec 13, 2013 — Metin Erksan’s shocking and sensuous tale of greed and rural life was part of a vibrant Turkish cinema of the fifties and sixties.

Jul 21, 2020 — Consider this an afterword to Taste of Cherry (1997), the feature that brought its director, Abbas Kiarostami, to full international prominence, after it became the first Iranian movie to win the Palme d’Or at the Cannes Film Festival (where it...

Jan 3, 2018 — Ingmar Bergman was born on July 14, 1918, and exhibitions and film series celebrating the hundredth anniversary are already underway. Update, 1/5: Ingmar Bergman’s Cinema, a Janus Films retrospective of twenty-four works, will open at New York’s Film Forum on...

Aug 30, 2019 — In 1933, Japan withdrew from the League of Nations, after being censured for its invasion of Manchuria. Despite this, the majority of Japanese people remained avid consumers of American movies and Western fashion, which exasperated the militarists in power. A...

May 25, 2009 — Reported from the set of Eddie Coyle by New Journalism trailblazer Grover Lewis, this article is a profile of Robert Mitchum that features extensive, idiosyncratic monologues by Mitchum himself.

Feb 23, 2012 — Author John Voelker (a.k.a. Robert Traver) met musician Duke Ellington on the set of Anatomy of a Murder; he wrote this piece about the experience for the Detroit News Sunday Magazine in 1967.

Jan 23, 2024 — In the first ten years of her extraordinary career, the Belgian filmmaker used the raw materials of quotidian, marginal lives to spark a radical reinvention of cinema.

Aug 9, 2010 — San Francisco filmmaker Terry Zwigoff’s first cinematic effort, the 1985 Louie Bluie, is a wry, ribald, and magical portrait of the country-blues string band player and irrepressible raconteur Howard Armstrong (a.k.a. Louie Bluie). This catchy, engaging sixty-minute documentary, a clattering...

Aug 25, 2022 — While working on our edition of Martin Scorsese’s 1980 masterpiece, producer Abbey Lustgarten found out how the director achieved some of the movie’s most evocative visual and sonic effects.

Jun 17, 2025 — Drawing from over a dozen hours of black-and-white footage, Direct Cinema pioneer Charlotte Zwerin created this elliptical and moving portrait of one of American music’s most original artists.