The Criterion Collection
Sep 21, 2010 — Warrendale: Man of ActionAllan King was one of cinema’s most acute chroniclers of unadorned reality, but the term documentary seems too puny to describe the intense, passionate stories he contrived to fashion from that reality. King’s early nonfiction features are...
Sep 15, 2009 — Words are the trained fleas in David Mamet’s sidewalk circus—dirty words, often bloodstained, usually swarming, that perform their acrobatic stunts for gawkers who will likely get their pockets picked. That’s the reputation, anyhow. More than thirty years after he made...
Jan 11, 2006 — The typical midlife crisis, to which we all fall victim in some major or minor degree, came to Fellini with a slight delay. On the twentieth of January, 1960, the day of his fortieth birthday, he was, in fact, too...
Oct 24, 2005 — The hero in Masahiro Shinoda’s popular samurai movie is both a genre figure and an ordinary character, both killer and savior, both larger than life and lost in the mists.
Sep 23, 2002 — In 1940 and 1941, David O. Selznick won back-to-back Academy Awards for Best Picture. In 1942, unsurprisingly, he was depressed. His wife, Irene, persuaded him to seek help, and, less than one year later, hale and hardy, he was eager...
The Daily
Dec 20, 2022 — Among the names on the shelves this month: Andy Warhol, Bong Joon Ho, Sofia Coppola, Stanley Kubrick, and Alfred Hitchcock.
Aug 23, 2022 — With one foot in naturalism and the other in dreams and poetry, Marcel Carné’s visually rousing drama is an ode to the daily vicissitudes of ordinary Parisians.
Sep 12, 2019 — A new web resource spearheaded by Su Friedrich celebrates women editors from around the world, highlighting work that has long been obscured by the masculinism of auteurist film culture.
Apr 19, 2019 — In this excerpt from an interview on the edition of Diamonds of the Night, film programmer Irena Kovarova talks about the work of one of director Jan Němec’s key collaborators, Ester Krumbachová.
Dec 7, 2021 — Regina King’s feature-film directorial debut envisions the true-life convergence of four prominent Black figures with empathy and moral urgency.