Dear Ex

Sep 28, 2015 — Rarely has schizophrenia been closer to the surface of American cinema than in the transitional period of 1968–71. Hollywood had just abandoned its censorship code after nearly thirty-five years, and the behemoth studios were heaving and rattling into oblivion or...

Sep 23, 2014 — In director Jack Clayton’s hands, Henry James’s tale of the sinister and sensual things hiding behind Victorian decorum becomes one of the screen’s great works of terror.

Apr 18, 2014 — The following interview, conducted by Stig Björkman, originally appeared in Björkman’s 1999 book Trier on von Trier.

Nov 11, 2013 — A boldly silent film in the talkie era, Charlie Chaplin’s masterpiece has a grace that has never been equaled.

Oct 23, 2013 — If there’s one quality that separates John Cassavetes’s movies from almost everybody else’s, it’s the density of detail in the storytelling. His films need to be read closely, from beginning to end. There are no lulls with Cassavetes, no lapses...

Jul 1, 2013 — How the original comic everyman made us laugh and fear for his life.

Oct 25, 2012 — The following piece by Sunday Bloody Sunday screenwriter Penelope Gilliatt originally appeared as the introduction to the 1971 U.S. publication of the script. A friend of mine who had started scrubbing at fourteen and went on to be a barmaid...

May 15, 2012 — Circumlocutory critic Perkus Tooth sits down with a very patient Spike Jonze to talk gerunds and colons.

Mar 27, 2012 — Written in five or six days in 1941, in a seaside hotel where he had gone to get away from the Blitz, and by all accounts scarcely revised before being mounted some six weeks later, Noël Coward’s Blithe Spirit became...

Dec 6, 2011 — Ernst Lubitsch’s Design for Living (1933) is what sexy should be—delightful, romantic, agonizing ecstasy. And it’s not just sexy but also revolutionary, daring, sweet, sour, cynical, carefree, poignant, and so far ahead of its time that one could cite it...