Can’t Complain

Feb 24, 2014 — A film of explosive passions, Abdellatif Kechiche’s coming-of-age triumph is about much more than just physical pleasure.

Sep 10, 2013 — Martin Ritt’s 1965 movie of John le Carré’s first great novel (and first best seller), The Spy Who Came in from the Cold, declares “a plague on all your houses” to capitalists, Communists, and ruthless intelligence operatives. It’s one espionage...

Aug 13, 2013 — John Frankenheimer burrows into the insidious side of the American sixties in his visually dazzling thriller.

Mar 20, 2013 — Michael Powell and Emeric Pressburger’s adroit masterpiece is war film, dark comedy, historical drama, poignant romance, and a portrait of the modern woman.

Sep 26, 2012 — Countercultural icons Paul Bartel and Mary Woronov makes square subversive in Bartel’s cult classic.

Oct 25, 2011 — The central theme of the film is that the life force inherent in this music is always with us, but you are an idiot if you want to turn on the wayback machine and relive these days.

Oct 24, 2011 — “For a long time I stayed away from the Acropolis,” says the narrator of Don DeLillo’s novel The Names. “It daunted me, that somber rock. I preferred to wander in the modern city, imperfect, blaring. The weight and moment of...

Apr 25, 2011 — In 1981, the legendary critic went all out for Blow Out, which she thought was De Palma's most mature work to date.

Apr 18, 2011 — An Eagle for an Emperor, a Gyrfalcon for a King;   a Peregrine for a Prince, a Saker for a Knight, a Merlin for a Lady;   a Goshawk for a Yeoman, a Sparrowhawk for a Priest,   a Musket...

Feb 28, 2011 — In 1969, director Alexander Macken­drick retired from the film industry and became founding dean of the film school at the newly established California Institute of the Arts. Passionately interested in the pedagogy of cinema (“Film writing and directing cannot be...