The Criterion Collection
The Daily
Jan 21, 2025 — Lynchian may be impossible to define, but you know it when you see it.
Essays
Jan 21, 2025 — In his first Hollywood film, British director Stephen Frears dives into the nihilistic world of Jim Thompson’s fiction, delivering an adaptation profoundly attuned to the novelist’s sense of ineluctable suffering.
The Daily
Jan 14, 2025 — There’s a Delphine Seyrig retrospective on in New York and another will open at the Harvard Film Archive on Friday.
The Daily
Dec 20, 2024 — Along with conversations with Jem Cohen and Johnnie To, the week brings fresh angles on the year that was.
Features
Nov 21, 2024 — Dennis Hopper’s bleakly nihilistic drama struggled to find an audience after it premiered at the Cannes Film Festival in 1980, but time has revealed it to be one of the most hardcore films about disaffected youth ever made.
The Daily
Nov 7, 2024 — Critics argue that the fortieth feature directed by Clint Eastwood deserved more than a limited weeklong theatrical release.
Features
Sep 25, 2024 — At a time when women were understood to be the primary audience for movies, Hollywood studios built vehicles for actresses that doubled as showcases for the industry’s many brilliant female screenwriters.
The Daily
Sep 18, 2024 — We’re reading or anticipating new books from Pedro Almodóvar, Al Pacino, Werner Herzog, and Cher.
The Daily
Sep 4, 2024 — The festival launched RaMell Ross’s Nickel Boys and brought in a slew of critical favorites fresh from their premieres in Venice.
The Daily
Aug 23, 2024 — We’re revisiting key films from Francis Ford Coppola, Martha Coolidge, John M. Stahl, Asghar Farhadi, and Jacques Rozier.