Blood Brothers

Aug 5, 2019 — At the San Francisco Silent Film Festival you can expect to see many great, even perfect, treasures of cinema, popular classics, and critical favorites. At the age of twenty-four, the event has become increasingly central to the silent cinema calendar—one...

Sep 13, 2018 — The imitation of nature becomes a devotional act in Terrence Malick’s cinema, which reaches sublime heights in this exploration of childhood, memory, and grief.

Sep 6, 2018 — New films by Jennifer Kent, Jacques Audiard, Paul Greengrass, and Pablo Trapero.

Jul 25, 2018 — And Orson Welles’s The Other Side of the Wind will finally see the light of day.

Jul 10, 2018 — The martial-arts film was never the same after King Hu got his hands on it, reinventing the genre with subtle editing and dazzling choreography.

Jun 26, 2018 — John Waters’ favorite among his early works is both an assault on political correctness and a no-holds-barred expression of gay militancy.

Apr 4, 2018 — “It has been half a century since Werner Herzog released his first full-length feature, Signs of Life (1968) which depicts a wounded German WWII paratrooper losing his mind on a torpid Greek island,” writes Joseph Hincks, introducing his interview for...

Mar 9, 2018 — Ryan Coogler is on the cover of the new March/April 2018 issue of Film Comment, and Devika Girish writes about how “the mythology of Black Panther is keenly attuned to the present even as it undoes the past: it is...

Feb 12, 2018 — In “Twin Peaks: The Return, or What Isn’t Cinema?,” a four-part essay at Reverse Shot, Nick Pinkerton first stakes out a position. Referring to one of Marcel Duchamp’s most famous pieces, he writes: “For a hundred years now it’s been...

Feb 7, 2018 — Last week, the SXSW Film Festival presented 132 features lined up for its 2018 edition running from March 9 through 18. Today, the festival announces that Wes Anderson’s Isle of Dogs will be this year’s Closing Night Film—and it’s added...