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American Factory

Oct 27, 2021 Channel Calendars Celebrate Noirvember on the Criterion Channel with a tribute to the cool-as-ice Robert Mitchum, whose nonchalance and quiet menace made him a defining presence in American cinema’s underworld. Or enjoy the sophisticated, pitch-dark pulp classics in our Fox...

Sep 3, 2021 In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.

Jun 25, 2021 1. Visions of Eight (1973) was the brainchild of producer David L. Wolper, whose film The Hellstrom Chronicle won the Academy Award for best documentary in 1972. Other notable credits of his include Willy Wonka & the Chocolate Factory (1971)...

June Books

The Daily

Jun 22, 2021 This month’s roundup of new and noteworthy titles opens with “a counterfactual history of the movies.”

Apr 20, 2021 1. “I Felt Nothing” In September 2019, about halfway between claiming the Palme d’Or at Cannes in May and earning multiple Oscar nominations in January 2020, Bong Joon Ho’s Parasite was briefly upstaged by a movie from the director’s past....

Feb 12, 2021 The virtual first half of this year’s festival will premiere new work from Céline Sciamma, Hong Sangsoo, Dominik Graf, and Ryusuke Hamaguchi.

Jan 28, 2021 Channel Calendars We’re thrilled to be celebrating Black History Month on the Criterion Channel with a lineup that salutes African American filmmaking pioneers like Gordon Parks and Madeline Anderson, spotlights the brilliant career of actor and activist Ruby Dee, presents...

Nov 25, 2020 “Yes, life is a dream, but sometimes that dream is a fatal abyss.” Wanda in The White Sheik (1952) I have a vivid memory from the first film-studies class I enrolled in, a class on Italian neorealism, where the weekly...

Nov 2, 2020 He became a star in the 1960s as 007 and carried on winning over fresh waves of fans through the 1990s.

Sep 30, 2020 Genre fans rejoice! October kicks off with a ’70s Horror series and the head-spinningly eclectic films of the New Korean Cinema.

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