The Criterion Collection
The Daily
Feb 15, 2018 — Think of The Grand Budapest Hotel (2014) and pink pastels, purple uniforms, and the occasional splash of red may come to mind, offset by the ochres and faded wood grains of the scenes that frame the main story. Moonrise Kingdom...
The Daily
Jun 4, 2021 — We’re catching up with the new issues of Bookforum, the Brooklyn Rail, and Field Notes and delving into the work of Bill Gunn and Tsai Ming-liang.
The Daily
Feb 4, 2021 — Here’s an overview of what critics have been saying about this year’s winners.
On the Channel
May 28, 2020 — Check out what’s in store next month on our streaming service!
The Daily
Apr 20, 2018 — “Although her oeuvre to date is wide-ranging,” writes Melissa Anderson at 4Columns, Claire Denis’s “most celebrated films are those that probe, usually elliptically, the legacy of French colonial rule in Africa, as seen in Chocolat (1988), her semiautobiographical debut feature;...
The Daily
Apr 1, 2018 — Empire has been rolling out interviews from its “Spielberg Takeover” issue, the one with five different covers, including a podcast (102’01”) that’s naturally not part of the print version, in which contributors talk with Steven Spielberg himself and with Simon...
Oct 12, 2010 — One Every movie is two stories: the one it tells and the one that remains to be told about it by those involved in its creation. These two narratives converge in a certain current of the cinema of the past...
May 5, 2009 — Irecently had occasion to show Ivan the Terrible in a course on forties world cinema I’m teaching at Chicago’s School of the Art Institute, and found it more mind-boggling than ever. This has always been the Eisenstein feature that’s given...