The Criterion Collection
Essays
Feb 22, 2011 — Andrea Arnold seemed to emerge out of nowhere with Red Road (2006), her revelatory, shrewdly observed debut feature about voyeurism and sexual revenge. That film won Arnold multiple awards, and she had already earned an Oscar for her short Wasp...
Short Takes
Feb 11, 2011 — Danish cinematographer Henning Bendtsen—whose career stretched from the 1940s to 1991, with his final film, Lars von Trier’s Europa—has died at the age of eighty-five. Bendtsen is best known, perhaps, for the transcendent images he created with director Carl Theodor...
Short Takes
Feb 2, 2011 — In a monster profile in this week’s New Yorker, Daniel Zalewski delves into the good-naturedly grotesque universe of Mexican horror auteur Guillermo del Toro (Cronos). Painting del Toro as a descendant of both such beast-obsessed fanboys as Famous Monsters of...
Jan 24, 2011 — A character-driven tale of driven characters whose professional triangle trumps their romantic one, Broadcast News (1987) takes place after the fall of the Equal Rights Amendment and before the fall of the Berlin Wall—a time when gender wars and cold...
Short Takes
Jan 20, 2011 — It’s been two decades since Richard Linklater’s Slacker shook up American independent film and helped define a generation. This week, on the eve of the 2011 Sundance Film Festival, journalist Mark Savlov sat down with Linklater and writer John Pierson...
Short Takes
Jan 10, 2011 — Stage-bound is not a term one is apt to associate with the minimalist, resolutely un-dialogue-driven movie worlds of Michelangelo Antonioni. But that hasn’t deterred Ivo van Hove (the artistic director of the Netherlands’ most acclaimed theater company) from adapting three...
Production Notes
Jan 10, 2011 — I was deeply saddened by today’s news of the passing of Peter Yates, whom I had the honor to meet while producing Criterion’s DVD for his great seventies crime picture The Friends of Eddie Coyle. His death marks the loss...
Production Notes
Dec 13, 2010 — If you’ve read Faber & Faber’s 1998 publication of the Sweet Smell of Success screenplay, you already know from the book’s afterword that director James Mangold (Girl, Interrupted; Walk the Line) studied under the late filmmaker Alexander Mackendrick in the...
Short Takes
Dec 8, 2010 — Over at his New Yorker blog, The Front Row, Richard Brody dives back into Jean Renoir’s Boudu Saved from Drowning, the Criterion edition of which is his DVD pick of the week. Over a lovingly assembled montage of clips from...
Dec 7, 2010 — In 1981, it seemed to me that a new era of fantastic cinema was upon us.