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Too Early / Too Late

Apr 25, 2023 In his second Palme d’Or–winning film, Ruben Östlund uses familiar reality-television tropes to stage a deeply unnerving spectacle of obscene wealth and class outrage.

Two Midnighters

The Daily

Jan 26, 2023 With confident verve, Brandon Cronenberg’s Infinity Pool and Laura Moss’s birth/rebirth defy horror fans’ expectations.

Dec 6, 2022 Known for their austerity and shocking moments of violence, the Austrian director’s first three films cultivate a kind of humanism in their dogged refusal to coddle the viewer.

Dec 1, 2022 During the production of our release of Amores perros in 2020, the film’s writer-director, Alejandro G. Iñárritu, gave us a remarkable window into his creative process, showing us some of the dozens of note cards he’d used in planning scenes...

Nov 23, 2022 In Susan Seidelman’s Smithereens, the odyssey of a New Jersey transplant trying to survive in Manhattan is accompanied by the music of one of the Garden State’s most iconic punk bands.

Nov 16, 2022 After glimpsing his great-great-grandfather on-screen, a writer searches for the history of a landmark silent film.

Oct 28, 2022 The role of the vampire has given talented actors throughout film history—from Bela Lugosi to Catherine Deneuve—the chance to embody physical and moral extremity.

Oct 11, 2022 Frank Capra’s flamboyant farce—his only black comedy—finds an uncharacteristically frenetic Cary Grant surrounded by a clan of genteel maniacs.

Sep 28, 2022 Sarah Maldoror’s only completed narrative feature tracks the Angolan struggle for independence from Portugal and reckons with the interlocking systems of colonialism, capitalism, and patriarchy.

Sep 16, 2022 The trailblazing and idiosyncratic filmmaker discusses her two newly restored shorts, her childhood in Detroit, and her decision to leave the movie industry behind.

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