The Criterion Collection
Jan 23, 2018 — Made during the German occupation of France, these beguiling films showcase Claude Autant-Lara at the height of his powers.
The Daily
Dec 7, 2017 — “After mining the American soul (Boogie Nights, There Will Be Blood, The Master) as brilliantly as any working director has in the last fifty years,” begins Robert Abele at TheWrap, “Paul Thomas Anderson moves to 1950’s England for Phantom Thread,...
The Daily
Oct 19, 2017 — Danielle Darrieux, who turned 100 on May 1 and appeared in over 110 films, perhaps most famously in three directed by Max Ophuls, has passed away, reports the AP.“Unlike most branded stars whose appeal can be captured in one well-chosen...
The Daily
Sep 4, 2017 — Let’s start with the Telegraph’s Robbie Collin: “‘We all have history,’ shrugs Addie Moore, a widow living in small-town Colorado, when a friend advises that her new beau—a twinklingly handsome widower from a few doors down the street, called Louis...
May 31, 2017 — New Taiwan Cinema master Edward Yang’s sophomore feature explores the conflict between tradition and modernity reflected in a relationship on the rocks.
The Daily
May 23, 2017 — “He was the epitome of the suave English gent, quipping sweatlessly in a bespoke three-piece suit, who enjoyed an acting career spanning eight decades,” writes Benjamin Lee for the Guardian. “On Tuesday, Roger Moore’s children announced his death at the...
Sep 21, 2016 — An exhilarating blend of noir and splatter-flick tropes, the Coen brothers’ debut feature established their unique brand of cosmic fatalism.
In Theaters
Sep 15, 2016 — The Cinematheque at the Cleveland Institute of Art pays tribute to the late Iranian master Abbas Kiarostami with a screening of his international breakthrough, Taste of Cherry, a haunting meditation on life and death that follows a man over the...
Essays
Mar 17, 2016 — Decades later, Ingmar Bergman’s self-reflexive masterpiece remains a provocative enigma worthy of close investigation.
Jul 22, 2015 — Stephen Frears brings a playful and shimmering cinematic quality to Hanif Kureishi’s multilayered script about a Pakistani immigrant community in Margaret Thatcher–era London.