The Master

Dec 10, 2019 — Rock music, as director Wim Wenders once joked in an interview, offered to him and other Germans of his generation the “only alternative to Beethoven.” There is likely as much truth as hyper­­bole in the statement; considering the role that...

Oct 24, 2019 — D irector Ishiro Honda gathered his crew and gave them an ultimatum. He was about to put his career at risk, and he would only work with those who approached his current project—a movie about a radiation-spewing prehistoric reptile that...

Oct 10, 2019 — Dark Passages Where the sea and the city meet, they corrupt each other. Around docks, the ocean’s margins are scummy with oil and floating garbage; the water corrodes hulls, encrusts pilings, and slimes steps. Ports cater to men who come...

Sep 9, 2019 — In his thought-provoking latest book, the critic and frequent Criterion contributor traces the complex ways European filmmakers have grappled with the influences of Christianity and modernity.

Aug 13, 2019 — As Toronto’s full lineup nears completion, New York looks to expand upon “our notions of what the moving image can do and be.”

Jul 22, 2019 — The new book is the perfect supplement to a retrospective that begins touring the country on Friday.

Jul 1, 2019 — Truffaut, Melville, and Jean Epstein open this month’s round of reviews and discussions of the latest noteworthy publications.

Nov 20, 2018 — A sampling of reviews of some of the most significant movies currently in theaters.

Sep 24, 2018 — Professor David Bordwell breaks down the stunningly innovative thirteen-minute prologue of Alain Resnais’s debut feature in this excerpt from a program on the Criterion Channel.

Jun 15, 2018 — Coming up at the turn of the seventies, Philippine filmmaker Lino Brocka made a name for himself directing nine studio movies—many of them melodramas and romances that proved popular with local critics and audiences—in the span of just two years....