Jul 30, 2020 The festival of new restorations will host the Venice Classics program and celebrate the thirtieth anniversary of Martin Scorsese’s Film Foundation.

Jul 27, 2020 The first shot of Atom Egoyan’s 1984 debut feature, Next of Kin, is a ground-level pan across the baggage claim section at Toronto’s Pearson Airport. The camera is angled so that our gaze is on the various pieces of luggage...

Jul 22, 2020 Here’s the latest on how Venice, Toronto, Locarno, and other festivals are radically rethinking this year’s editions.

June Books

The Daily

Jun 15, 2020 This month we’re looking at books on topics ranging from Japanese animation to Hollywood movie stars to jazz on the big screen.

May 19, 2020 The range was remarkable, but the projects Piccoli selected and the directors he chose to work with are what make his body of work essential.

Apr 22, 2020 One of the true dark glories of the Czechoslovak New Wave, The Cremator (Spalovač mrtvol, 1969) is the most popular and indelible work by the underappreciated Juraj Herz and remained a firm favorite of the director’s among his many films....

Feb 27, 2020 Hong Sang-soo’s The Woman Who Ran and Philippe Garrel’s The Salt of Tears premiere in the festival’s main competition.

Dec 3, 2019 As the title card comes up, the movie has already begun, with a frontal view of a dilapidated plantation house, its ivied columns sporadically lit up by a raging storm. Spectators at the time of the film’s release who were...

Nov 21, 2019 Every love affair requires a border crossing. The person you see across a crowded bar, or meet at a dinner party, or find on a dating app is another country altogether—maybe a nice place to visit, but do you really...

Nov 18, 2019 One of the most ambitious feature debuts in recent cinema, Hu Bo’s An Elephant Sitting Still is a daunting challenge for any viewer: not only does this nearly four-hour cri de coeur plunge audiences into the spiritual desolation of China’s...

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