The Criterion Collection
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Jul 30, 2020 — The festival of new restorations will host the Venice Classics program and celebrate the thirtieth anniversary of Martin Scorsese’s Film Foundation.
Jul 27, 2020 — The first shot of Atom Egoyan’s 1984 debut feature, Next of Kin, is a ground-level pan across the baggage claim section at Toronto’s Pearson Airport. The camera is angled so that our gaze is on the various pieces of luggage...
Jul 22, 2020 — Here’s the latest on how Venice, Toronto, Locarno, and other festivals are radically rethinking this year’s editions.
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Jun 15, 2020 — This month we’re looking at books on topics ranging from Japanese animation to Hollywood movie stars to jazz on the big screen.
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May 19, 2020 — The range was remarkable, but the projects Piccoli selected and the directors he chose to work with are what make his body of work essential.
Apr 22, 2020 — One of the true dark glories of the Czechoslovak New Wave, The Cremator (Spalovač mrtvol, 1969) is the most popular and indelible work by the underappreciated Juraj Herz and remained a firm favorite of the director’s among his many films....
The Daily
Feb 27, 2020 — Hong Sang-soo’s The Woman Who Ran and Philippe Garrel’s The Salt of Tears premiere in the festival’s main competition.
Dec 3, 2019 — As the title card comes up, the movie has already begun, with a frontal view of a dilapidated plantation house, its ivied columns sporadically lit up by a raging storm. Spectators at the time of the film’s release who were...
Nov 21, 2019 — Every love affair requires a border crossing. The person you see across a crowded bar, or meet at a dinner party, or find on a dating app is another country altogether—maybe a nice place to visit, but do you really...
Nov 18, 2019 — One of the most ambitious feature debuts in recent cinema, Hu Bo’s An Elephant Sitting Still is a daunting challenge for any viewer: not only does this nearly four-hour cri de coeur plunge audiences into the spiritual desolation of China’s...