Sep 29, 2020 In this masterpiece from the father of modern Indonesian cinema, Usmar Ismail, a violent military culture grips the nation in the years following a brutal revolution.

Production Resumes

The Daily

Sep 24, 2020 Taking all the necessary precautions, Paul Thomas Anderson, Jacques Audiard, and Paolo Sorrentino are back at work.

Empty Theaters

Features

Sep 23, 2020 First Person 1.In the past years I’ve often walked or bicycled alone to the small multiplex in my town, on weeknights. I like sitting by myself in movie theaters—I specify “by myself” to indicate my preference for going unaccompanied, as...

Sep 16, 2020 Glenn Kenny’s new book on Scorsese’s Goodfellas scores raves and Coppola has been tinkering with The Godfather again.

Sep 16, 2020 When I think of Albert Brooks, the first image that invariably comes to mind is that of a worry-stricken man desperately impressing his anxieties upon a bemused, notably less nebbishy partner, presenting an elaborate case for the legitimacy of those...

Sep 15, 2020 When Claire Denis’s Beau travail (1999) first appeared on American screens, the critic Stephen Holden used a striking phrase to capture its embracing of bold opposites: “voluptuous austerity.” His characterization, widely quoted since, illuminates the film on many levels, and...

Sep 10, 2020 In this in-depth interview, the legendary photographer and filmmaker explains how a lifetime of compulsive movie-watching has influenced her artistic practice.

Sep 9, 2020 Performances In the mid-1960s, the Bengali director Mrinal Sen reportedly accused his contemporary Satyajit Ray of selling out. “Mrinal said—now he has sunk to the level of using a matinee idol!” Ray would later laugh to his biographer, Andrew Robinson....

Sep 4, 2020 The festival opens with a winning oddity from Greece and an Italian time-hopping family drama.

Sep 2, 2020 Art speaks volumes in Céline Sciamma’s rapturous eighteenth-century love story Portrait of a Lady on Fire, and much of that is thanks to painter Hélène Delmaire. It is Delmaire’s vividly lifelike canvases that grace the film from start to finish,...

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