The Criterion Collection
Mar 13, 2018 — Martin Scorsese brought his trademark attentiveness to the intricacies of social custom to this devastating adaptation of an Edith Wharton novel.
The Daily
Mar 12, 2018 — After Paula Prentiss, who’s recently turned eighty, had a nervous breakdown on the set of What’s New, Pussycat? (1965), she “didn’t turn up in another movie until Mike Nichols’s Catch-22 (1970), by which time Hollywood had changed to the point...
The Daily
Mar 9, 2018 — Ryan Coogler is on the cover of the new March/April 2018 issue of Film Comment, and Devika Girish writes about how “the mythology of Black Panther is keenly attuned to the present even as it undoes the past: it is...
The Daily
Mar 5, 2018 — Along with 132 short films and a slew of masterclasses, installations, discussions, and other events, the Berlin International Film Festival presented 253 features this year. I managed to catch twenty-seven of them, and Adina Pintilie’s Touch Me Not, winner of...
Short Takes
Feb 28, 2018 — With the Oscars coming up this weekend, we gathered some highlights from an in-depth conversation with five of this year’s most-lauded directors.
Feb 27, 2018 — Director Tony Richardson refracts the bawdy spirit of the 1960s through this brilliantly distilled take on an eighteenth-century picaresque.
Feb 22, 2018 — Bengali cinema icon Uttam Kumar stars as a matinee idol on the brink of failure in this deeply introspective meditation on art and fame.
Feb 20, 2018 — In this wildly inventive revenge drama, director Kon Ichikawa blurs the line between stage and screen, infusing kabuki traditions with his own extravagant visual sensibility.
Feb 19, 2018 — Jonathan Demme put an uncompromisingly feminist spin on the law-enforcement procedural with this wildly successful, Oscar-winning drama.
The Daily
Feb 16, 2018 — “The responsibility of being a gay film critic,” writes Michael Koresky, “to borrow a phrase from the great Robin Wood, is to be honest about your responses as an individualized viewer, and to balance questions around identity with a film’s...