The Criterion Collection
Nov 2, 2022 — The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.
Apr 19, 2022 — Vittorio De Sica’s neorealist fable deploys barbed humor and surreal flourishes to depict class solidarity and human kindness in postwar Italy.
The Daily
Nov 15, 2021 — Paul Newman’s forthcoming memoir, Bill Gunn’s 1981 novel, and Melissa Anderson’s Inland Empire are among this month’s notable titles.
Essays
Sep 21, 2021 — Johnnie To pays homage to Akira Kurosawa in this martial arts drama about the virtue of struggle and self-improvement.
The Daily
Sep 28, 2017 — Let’s start today with a few interviews. I’ve opened the NYFF 2017 Index with a snippet from poet Peter Gizzi’s conversation with New York Film Festival director Kent Jones for BOMB, but I want to flag it again because they...
The Daily
Jul 26, 2017 — “The rarely screened Le gai savoir (1969), translated as ‘Joy of Knowing’ in the 2K restoration that makes its world premiere at the Quad on Friday, exemplifies a typical Godardian paradox,” writes Melissa Anderson in the Village Voice. “Profuse and...
Sep 29, 2003 — Rainer Werner Fassbinder dedicated his final energies to bringing the lost, gray years of postwar Germany back to life.
The Daily
Oct 11, 2022 — One mystery leads to the next over the course of twelve chapters split into two features.
Essays
Jan 25, 2022 — A Victorian-era tale of self-discovery, Jane Campion’s Palme d’Or winner exults in the thrill of female rebellion.