The Criterion Collection
Essays
Oct 22, 2024 — In his entrancingly deviant directorial debut, Harmony Korine captures life in an impoverished, tragedy-stricken small town in all its beautiful fragility.
The Daily
Oct 17, 2024 — Featuring a Robert Kramer retrospective, this year’s Viennale opens with Leos Carax and closes with Mati Diop.
The Daily
Oct 3, 2024 — The winner of the top prize in San Sebastián, Serra’s first nonfiction feature screens at the New York Film Festival.
Features
Sep 25, 2024 — At a time when women were understood to be the primary audience for movies, Hollywood studios built vehicles for actresses that doubled as showcases for the industry’s many brilliant female screenwriters.
The Daily
Sep 18, 2024 — We’re reading or anticipating new books from Pedro Almodóvar, Al Pacino, Werner Herzog, and Cher.
The Daily
Sep 11, 2024 — Marianne Jean-Baptiste plays a deeply frustrated woman in Leigh’s first film set in contemporary Britain since Another Year (2010).
The Daily
Sep 5, 2024 — Homegrown cinema makes a strong showing this year with new films from Sofia Bohdanowicz, Kazik Radwanski, and David Cronenberg.
The Daily
Sep 4, 2024 — The festival launched RaMell Ross’s Nickel Boys and brought in a slew of critical favorites fresh from their premieres in Venice.
Aug 28, 2024 — Albert Brooks and Debbie Reynolds are at their comedic best in this tale of parent-child bonding filled with Oedipal humor and emotional insight.
Aug 22, 2024 — This year, Bologna’s annual feast of restorations and rediscoveries showcased one of the most ambitious masterpieces of the silent era, the melodramas of Japanese filmmaker Kozaburo Yoshimura, and other treasures of film history.