In Black and White

Nov 4, 2022 — Aubrey Plaza has received critical acclaim for her performances in Emily the Criminal, Happiest Season, The White Lotus, Black Bear, and Ingrid Goes West. Her upcoming projects include Guy Ritchie’s Operation Fortune and Francis Ford Coppola’s Megalopolis.

Aug 23, 2022 — Sidney Poitier’s directorial debut, a western depicting Black cowboy heroes, allowed two of the industry’s most significant Black stars to reorient themselves as artists.

Feb 23, 2022 — In the 1961 screen adaptation of Lorraine Hansberry’s classic play, the actor radiantly embodies the conflicting impulses that define the character of Beneatha Younger—a modern woman filled with hope and longing.

Aug 13, 2015 — The films Agnès Varda made while living on the West Coast of the United States are some of the most searching and challenging of her stellar career.

May 1, 2024 — Films by Horace Ové, Menelik Shabazz, John Akomfrah, Isaac Julien, and more depict Black lives in a tumultuous era.

Mar 20, 2024 — Ryan Clarke and S*an D. Henry-Smith—two curators behind New York City’s premier Black electronic music festival—talk about the films they selected for Radical Dreams, Underground Sounds, a collection now playing on the Criterion Channel.

Mar 25, 2021 — In With Ossie and Ruby: In This Life Together, an autobiography cowritten by legendary creative and life partners Ossie Davis and Ruby Dee, Dee tells the story of working as a screenwriter on 1968’s Uptight. It’s a brief account, about...

Jan 9, 2019 — The Sopranos Film Festival celebrates the twentieth anniversary of the landmark show. Plus news from Rotterdam, Berlin, Austin, and Park City.

Aug 24, 2016 — During a 2006 meeting with the author, French New Wave icon Jeanne Moreau reminisced about working with Orson Welles, Louis Malle, and François Truffaut, and her turn to acting as a means of eluding the “destiny of a regular girl.”

Nov 27, 2008 — Despite Samuel Fuller’s career-long penchant for giving controversial subjects a punchy, exploitation-movie spin, his twenty-first feature was the first to suffer outright suppression.