If Only

Mar 7, 2024 — The Austin festival presents action-heavy Headliners, creepy Midnighters, and promising Competition contenders.

Mar 1, 2024 — This week offers David Bordwell on Hou Hsiao-hsien’s evolution, Jean Eustache on Ernst Lubitsch, and two must-read reviews of About Dry Grasses.

Feb 21, 2024 — Huppert takes the lead in Hong Sangsoo’s A Traveler’s Needs and André Téchiné’s My New Friends.

Feb 20, 2024 — I have, over time, become wary of and impatient with the word authentic, especially when it’s too casually and blithely deployed, as it often is these days, to defame or diminish someone or something based on arbitrary standards of what...

Feb 16, 2024 — This week brings fresh writing on Edward Yang and David Cronenberg, a talk with Wim Wenders, and a bundle of lists.

Feb 15, 2024 — Ten Japanese family portraits will screen in New York over the next ten days.

Feb 14, 2024 — Portraits of Stanley Kubrick and Agnès Varda, a memoir from Ed Zwick, and a history of Blaxploitation are among the highlights.

Feb 13, 2024 — Through its echoes, resonances, and intricately branching stories, this cycle of films evokes the feeling that life, like the weather, is based on patterns too complex to ever be fully predictable.

Feb 2, 2024 — Film Forum’s series of thirty films centering on women loving women is “eccentric, enduring, and genre-encompassing.”

Feb 2, 2024 — The week brings the final issue of Cinema Scope, a revival of Not a Pretty Picture, and a series of films starring Jean Arthur.