The Criterion Collection
Essays
Jan 15, 1996 — If Akira Kurosawa is the John Ford of Japanese samurai dramas, then director Kihachi Okamoto—a specialist in action films, with a particulat accent on violence and raw characterizations—is the samurai film’s Sam Fuller.
Essays
Nov 15, 1994 — Andrzej Wajda’s third full-length film established the director as a leader of the new Polish cinema.
Essays
Oct 25, 1994 — Kenji Mizoguchi develops his medieval fable about moral freedom and slavery with intuition, cunning, and an overarching sense of tragedy.
Essays
Oct 18, 1994 — Val Lewton’s cinematic diamond-in-the-rough has been recognized for decades as a definitive chiller, but it was conceived as a title, with no story or notion in mind, and as a way of generating cash for RKO.
Essays
Jan 27, 1993 — In beautifully composed black-and-white and tempered by a gentle and nostalgic choral score, Kon Ichikawa's drama probes deeply into the moral chaos of war.
Essays
Dec 22, 1992 — With a script by Graham Greene, Carol Reed’s thriller plays upon the classic themes of trust, innocence, betrayal, and truth through the lens of a precocious eight-year-old.
Essays
Jun 3, 1991 — Robert Montgomery stars in the Oscar-nominated role of Joe Pendleton, a lug of a boxer accidentally spirited off to heaven before his time, while Claude Rains is the title character whose job it is to find a way for Pendleton...