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Jonathan Owen is a writer and researcher specializing in Eastern and Central European cinema, avant-gardes, and cult film. He is the author of Avant-Garde to New Wave: Czechoslovak Cinema, Surrealism and the Sixties (2011) and the coeditor of A Reader...

Historian and essayist Enrique Krauze was born in Mexico in 1947. He is the author of Mexico: Biography of Power (1997) and Redeemers: Ideas and Power in Latin America (2011), among many other books, and is the editor in chief...

Lulu Wang is the writer and director of Posthumous (2014) and The Farewell (2019).

Jonathan Murray is Senior Lecturer in Film and Visual Culture at Edinburgh College of Art, University of Edinburgh, and a contributing writer for Cineaste magazine. His books include Discomfort and Joy: The Cinema of Bill Forsyth (2011) and The New...

Vinson Cunningham is a staff writer and critic for the New Yorker. He was a finalist for the Pulitzer Prize for Criticism in 2024 and 2025. His 2024 debut novel, Great Expectations, was a finalist for the National Book Critics...

Jean-Pierre Berthomé is a professor emeritus at Rennes University, where, in the 1980s, he created the department of film studies. He contributes regularly to the French film monthly Positif and has written a dozen books, including on Demy, Orson Welles,...

Dan Callahan is the author of Barbara Stanwyck: The Miracle Woman (2012), Vanessa: The Life of Vanessa Redgrave (2014), two volumes of The Art of American Screen Acting (2018 and 2019), The Camera Lies: Acting for Hitchcock (2020), and the...

Mark Harris is a journalist and film historian, and the author of Pictures at a Revolution (2008), Five Came Back (2014), and Mike Nichols: A Life (2021).

Shonni Enelow is the author of Joanna Hogg (Contemporary Film Directors series, University of Illinois Press, 2024) and Method Acting and Its Discontents (Northwestern, 2015) and the coauthor of A Discourse on Method (53rd State, 2020). Her film writing has...

Ashley Clark is the curatorial director at the Criterion Collection. Previously, he worked as director of film programming at the Brooklyn Academy of Music, and he has curated film series at BFI Southbank, the Museum of Modern Art, and TIFF...

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