The Criterion Collection
Sep 20, 2019 — In the winter of 1981, when I was young, I fell madly in love with a handsome poet. About two weeks into our affaire de cœur, we went to the Thalia on the Upper West Side of Manhattan to see...
The Daily
Sep 18, 2019 — Adam Sandler plays a jeweler addicted to risk in the brothers’ new exhilarating—and exhausting—new film.
Sep 18, 2019 — One Scene The way some rock fans talk about the sanctity of live music, you’d think it was a guaranteed path to transcendence. But of course most concerts fall far short of the sublime, and the thrill of breathing in...
The Daily
Sep 16, 2019 — Martin Eden tops the Platform competition, while audiences go for Jojo Rabbit.
Sep 13, 2019 — Nicholas Britell’s scores are so finely calibrated to the movies they inhabit that they become inextricable from the images on-screen. Whether it’s the staccato heartbeat of orchestral strings in Barry Jenkins’s Moonlight or the mix of piano motifs and hip-hop...
Sep 12, 2019 — A new web resource spearheaded by Su Friedrich celebrates women editors from around the world, highlighting work that has long been obscured by the masculinism of auteurist film culture.
Sep 10, 2019 — In this landmark melodrama, director Ritwik Ghatak channeled his grief over the destruction of his beloved homeland, Bengal, in the wake of the Partition of India.
The Daily
Sep 9, 2019 — The jury presided over by Lucrecia Martel has surprised just about everyone.
Sep 4, 2019 — The late actor became an icon of his generation with this moody, brilliant non-performance, informed by his intimate knowledge of chaos and death.
Features
Sep 4, 2019 — With their novelistic density and sexual openness, the films of French master André Téchiné introduced director Stephen Cone to a strange new world of contradictions.