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– The Man Who Came Back

Aug 11, 2017 With his controversial new film Nocturama opening in theaters, French director Bertrand Bonello spoke with us about what inspires him as an artist and how he blurs the line between realism and abstraction.

My Film

Features

Nov 3, 2013 The legendary Italian director discusses La notte’s inspirations and themes in this 1961 newspaper article that coincided with the film’s French release.

Richard III

Essays

Feb 23, 2004 Laurence Olivier’s last entry in his trilogy of Shakespeare films is the crowning glory of the British studio system and the end of the great cycle of British films aimed at international audiences.

March Books

The Daily

Mar 18, 2024 It’s an eclectic bunch this month, featuring a new play, a ban on the color green, and Godzilla.

Aug 7, 2018 Can creative genius flourish on the federal dime? Animator Norman McLaren’s remarkably innovative, government-funded films suggest it can.

Nov 27, 2008 An enormous welter of insoluble problems is on display in Luis Buñuel’s classic—the ending solves nothing; the story just begins again.

A Kind of Requiem

The Daily

Dec 12, 2025 This week: Bi Gan, Radu Jude, a new Film Quarterly, and of course, more year-end lists and polls.

Women at Work

The Daily

Mar 19, 2021 We’ve been watching and reading about films by Cecilia Mangini, Cheryl Dunye, Claire Denis, and Nina Menkes.

Sep 4, 2019 With their novelistic density and sexual openness, the films of French master André Téchiné introduced director Stephen Cone to a strange new world of contradictions.

Nov 17, 2020 This week sees the release of Melissa Maerz’s new book, Alright, Alright, Alright: The Oral History of Richard Linklater’s Dazed and Confused.

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