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The Brazilwood Man

Apr 11, 2012 The 100th anniversary of the sinking of the Titanic is Saturday, April 14.

Return to Childhood

Sneak Peeks

Apr 6, 2012 It’s hard to believe that Ivan’s Childhood was Andrei Tarkovsky’s first feature, so technically assured is its direction. Tarkovsky had received promising notices for 1961’s The Steamroller and the Violin, his forty-six-minute thesis film from VGIK (the Gerasimov All-Russian State Institute of Cinematography), but Ivan’s...

Apr 6, 2012 Did You See This? • Looking through Keyhole with Guy Maddin • A stunning Rear Window time-lapse panorama • He likes words. • Watch Kubrick’s first three docs. • Is Leo McCarey’s Ruggles of Red Gap “the most patriotic American...

Apr 5, 2012 Repertory Picks The neorealist roots of Michelangelo Antonioni’s art are on full display this weekend at New York’s Museum of the Moving Image. The series Antonioni Documentaries is the culmination of a string of events in New York over the...

Apr 1, 2012 aption for the video could go here and be however long it needed to be, within reason, of course.

Mar 29, 2012 He worked on Brief Encounter (as a writer and as part of the production company behind it), but Ronald Neame couldn’t help getting choked up at the ending any more than the rest of us can.

Mar 27, 2012 Written in five or six days in 1941, in a seaside hotel where he had gone to get away from the Blitz, and by all accounts scarcely revised before being mounted some six weeks later, Noël Coward’s Blithe Spirit became...

Mar 23, 2012 Did You See This? • Under the skin of Frampton’s Surface Tension • Charting Buñuel’s “Red years” • Kael, Ebert, and the seventies . . . •  . . . but what is cinephilia today? • Slacker and the Austin...

Early Altman

Short Takes

Mar 20, 2012 In the late forties and early fifties, Robert Altman was getting his start as a director by making shorts for the Kansas City industrial-film producer the Calvin Company. As you may have heard, a 16 mm print of what appears...

Mar 19, 2012 Some people have called us “film school in a box,” but this is the real deal. The essential film school introductory textbook, David Bordwell and Kristin Thompson’s Film Art: An Introduction, is coming out in its tenth edition in the summer,...

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