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The Man Who Will Come

Nov 21, 2023 The decades have flown by, but Mean Streets (1973) has not become the least bit dated, even though we know how the careers of all the principals have evolved in the years since, not to mention that the world just...

Aug 26, 2022 In a pivotal early scene in this baseball classic, director Ron Shelton mischievously uses two contrasting rock tunes to comment on disparate versions of masculinity.

Apr 14, 2020 Whether or not you believe it is the greatest year of all for the Hollywood studio system, the wonder of 1939 is the sheer depth of its bench. On a ten-movie best-picture ballot, the Oscars found no room to nominate...

Feb 4, 2019 Performances The first movie that Nicolas Roeg and Theresa Russell made together, Bad Timing (1980), was denounced by its distributor, the Rank Organisation, as a “sick film made by sick people for sick people,” which may sound to some like...

Jun 19, 2018 It keeps happening. At the time of this writing, students of Marjory Stoneman Douglas High School in Parkland, Florida, are mourning the deaths of fourteen of their classmates and three faculty members, all of whom a nineteen-year-old is accused of...

Jul 25, 2014 Erik Skjoldbjærg’s sun-drenched noir follows a detective trying to conceal his amoral actions amid unforgiving daylight.

Dec 6, 2011 Ernst Lubitsch’s Design for Living (1933) is what sexy should be—delightful, romantic, agonizing ecstasy. And it’s not just sexy but also revolutionary, daring, sweet, sour, cynical, carefree, poignant, and so far ahead of its time that one could cite it...

Feb 18, 2025 HIghlights this month include a look back at the Dogme 95 movement, a showcase of great supporting performances, and spotlights on directors Michael Mann, Alain Guiraudie, and Lee Chang-dong.

Mar 8, 2024 This week calls for notes on some of the best writing on each of the ten nominees for Best Picture.

Buster by the Bay

The Daily

Nov 30, 2022 Three Keaton shorts will open A Day of Silents at the Castro before a series runs through December 21 in Berkeley.

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