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School-Live!

Jan 10, 2005 Seijun Suzuki's penultimate film for Nikkatsu is a subversively funny account of the making of a model fascist.

Le Corbeau

Essays

Feb 16, 2004 Henri-Georges Clouzot took the standard ingredients of the Continental-Films detective movies and used them to make something darker and more complex—to make, in fact, the first classic French film noir.

Sep 29, 2003 “Gray literature” is the term German film historians use to describe the material written purely for publicity purposes and made available to the press, but not meant for official publication. Often this gray literature, which is only accessible to film...

Dec 9, 2002 What makes Jean-Luc Godard’s classic so unique a viewing experience today, even more than in 1963, is the way it stimulates an audience’s intelligence as well as its senses.

May 13, 2002 In Barbet Schroeder’s portrait of Ugandan dictator Idi Amin, we watch a seemingly amiable, thoroughly pompous despot attempt to transform himself into a figure of heroic proportions.

The Last Wave

Essays

Nov 26, 2001 Peter Weir’s first film to be released in America insists on the tangible power of spiritual life.

Aug 20, 2001 Before Lars von Trier, Krzysztof Kieslowski, Andrei Tarkovsky, Ingmar Bergman, Robert Bresson there was Carl Th. Dreyer. The first great film artist to pursue the ineffable in cinema, Dreyer gave depth to what early silent filmmakers innately understood yet took...

Jul 9, 2001 Director Bruce Robinson reminisces about the days that inspired his uproarious black comedy.

Billy Liar

Essays

Jul 9, 2001 John Schlesinger’s beloved dramedy subverts the conventions of British kitchen-sink realism.

Feb 19, 2001 Leaving the theater after the tumultuous world premiere of Do the Right Thing at Cannes in May of 1989, I found myself too shaken to speak, and I avoided the clusters of people where arguments were already heating up. One...

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