The Criterion Collection
Essays
Jan 21, 2016 — In Gilda, Charles Vidor’s “violent, sexual, chaotic” noir, the director focused on Rita Hayworth’s skills as an actor and a dancer, eliciting a performance that became iconic in its own right and made her an international superstar.
Dec 8, 2015 — In Speedy, Harold Lloyd, a comic genius who thought of himself as a quintessentially average American man, places his optimistic everyman character within the context of a society in shift, to great comedic effect.
Essays
Dec 1, 2015 — Critic Todd McCarthy takes an inside look at Michael Ritchie's outdoor drama, which he calls “spare, cut to the bone, as fine as dry powder. Had Hemingway ever written about competitive skiing, this would have been the right style with...
Sneak Peeks
Nov 24, 2015 — Our new release of In Cold Blood, Richard Brooks’s chilling 1967 true-crime masterpiece, features an interview with film critic and jazz historian Gary Giddins, who offers a wonderfully illuminating examination of legendary record producer Quincy Jones’s music for the film....
Essays
Nov 12, 2015 — Michael Haneke’s politically prescient drama explores the tenuous, uneasy connections between inhabitants of a globally interwoven Europe.
Interviews
Nov 11, 2015 — There’s an infectious energy and excitement that radiates from the French actor and filmmaker Mathieu Amalric. This is palpable in his performances on-screen or on the stage, and it was in full force when he visited Criterion recently.
Nov 5, 2015 — Julien Duvivier’s early sound films offer emotionally rich explorations of life in prewar France.
Short Takes
Oct 21, 2015 — A new book examines the distinct clothing worn in Andrei Tarkovsky’s films.
Oct 15, 2015 — Sophia Loren and Marcello Mastroianni are cast against type—and funnyman director Ettore Scola gets serious—in this humane drama set in Fascist Italy.
Essays
Oct 13, 2015 — Divorce wreaks a particularly devastating form of havoc in David Cronenberg's personal take on the dissolution of a marriage.