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Jan 24, 2024 — Neon’s latest Sundance acquisition is a ghost story told by the ghost.

Jan 23, 2024 — Close contenders include Poor Things, Killers of the Flower Moon, Barbie, and Maestro.

Jan 23, 2024 — In the first ten years of her extraordinary career, the Belgian filmmaker used the raw materials of quotidian, marginal lives to spark a radical reinvention of cinema.

Jan 19, 2024 — We’ve been reading about Francis Ford Coppola, James Baldwin, Chantal Akerman, and Cary Grant and Randolph Scott’s barely kept secret.

Jan 17, 2024 — Steven Soderbergh contemplates writing his first novel, while Keanu Reeves already has; plus notes on Barbara Stanwyck, noir, and more.

Jan 16, 2024 — The festival will premiere ten new restorations as well as Martin Scorsese’s journey through the work of Powell and Pressburger.

Jan 16, 2024 — Drawing on the influence of a wide range of genres, John Sayles creates a densely layered narrative that unfolds across two timelines and explores the long-hidden secrets of a small border town in Texas.

Jan 12, 2024 — This week’s given us essays on Chantal Akerman and Edward Yang and conversations with Takeshi Kitano and Robert Bresson.

Jan 8, 2024 — The National Society of Film Critics and the Golden Globes have us surveying the latest round of best-of-2023 lists and overviews.

Jan 5, 2024 — Some big questions come up in discussions of work by Ozu, Welles, and Nancy Savoca.