True/False 2025

The Daily

Feb 27, 2025 Along with the premieres and parades, this year offers an oddity from Michael Almereyda and Courtney Stephens.

Feb 25, 2025 Misunderstood on release and mishandled by its distributor, this genuine cult classic opened the door to a radical new way of making films.

Feb 24, 2025 Todd Haynes’s jury gives the Berlinale’s top awards to films by Dag Johan Haugerud, Gabriel Mascaro, Iván Fund, Huo Meng, and Radu Jude.

Feb 19, 2025 Gus Van Sant’s lyrical exploration of addiction and faith—adapted from an autobiographical novel by James Fogle—influenced cinematic drug depictions throughout the nineties and helped to initiate a wave of American independent filmmaking.

Feb 11, 2025 Jean-Luc Godard’s first English-language narrative feature is a postapocalyptic fantasy that shifts from antic humor to tragic grandeur while challenging deep-rooted assumptions about what a Shakespearean movie should be.

Feb 10, 2025 Igor Bezinović’s third feature recreates a ludicrous but foreboding chapter in the history of his hometown, Rijeka.

Feb 6, 2025 The fifth feature from an underappreciated filmmaker sees its North American premiere at MoMA.

Feb 3, 2025 The vibe in Park City was unsettling, but critics and juries discovered plenty of films to fall for.

Feb 3, 2025 Iranian director, writer, and producer Mohammad Rasoulof was born in Shiraz, Iran, and has made eight feature films. Though none have screened in his home country due to censorship, his films have been admired around the world. Much of his...

Jan 23, 2025 In the run-up to the forty-first edition, critics have been writing up lists of their most-anticipated films.

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