The Criterion Collection
Apr 6, 2022 — A playfully philosophical drama, My American Uncle has been largely forgotten, yet it is the most down-to-earth of the French master’s exhilarating engagements with modernist aesthetics.
Feb 22, 2022 — The fourth feature by the Hong Kong filmmaker Ann Hui devastatingly lays bare the conditions that spurred hundreds of thousands of Vietnamese to flee after the fall of Saigon.
Sep 3, 2021 — In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.
Sep 24, 2020 — As video games have evolved into a technological and economic behemoth, they have attracted some consumer attention and spending away from movies. In part to appeal to filmgoers accustomed to the high production values of the big screen, large-budget games...
The Daily
Aug 31, 2020 — Fans around the world remember an accomplished actor, a genuine movie star, and a generous role model.
Aug 3, 2020 — The British director of sprightly musicals, wrenching family dramas, and gripping political thrillers was seventy-six.
Criterion Designs
Jan 27, 2020 — Jason Polan and his drawing of King Kong We’re deeply saddened today by the passing of our friend Jason Polan. Jason was an integral part of the Criterion family for over a decade, responsible for, among many other things, the monthly...
The Daily
Oct 8, 2019 — Daniel Hendler plays a man who freely admits that his trade is “the root of all evil.”
The Daily
Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.
The Daily
Feb 15, 2019 — New restorations, a new trailer, new translations, a new publication, and new perspectives on an awesome and abhorrent film.