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After Life

Feb 27, 2024 Hollywood legend Raoul Walsh’s first movie for Warner Bros. is an epoch-spanning tall tale that takes inspiration from the New York City of his childhood and closes out a run of influential gangster films he inaugurated in the silent era.

Feb 26, 2024 The Berlinale’s top award went to Dahomey on an evening that has sparked heated debate.

Undone and Remade

The Daily

Feb 23, 2024 Revivals of work by Raoul Peck and Jean-Pierre Bekolo and conversations with James Gray and Jodie Foster are among this week’s highlights.

Feb 21, 2024 Huppert takes the lead in Hong Sangsoo’s A Traveler’s Needs and André Téchiné’s My New Friends.

Feb 21, 2024 Combining the influence of the wuxia genre, the Hong Kong New Wave filmmaking of the 1980s, and loony comic-book futurism, these two ass-kicking fantasias are dazzling showcases of female physicality.

Feb 20, 2024 I have, over time, become wary of and impatient with the word authentic, especially when it’s too casually and blithely deployed, as it often is these days, to defame or diminish someone or something based on arbitrary standards of what...

Feb 15, 2024 Ten Japanese family portraits will screen in New York over the next ten days.

Storytellers

The Daily

Feb 2, 2024 The week brings the final issue of Cinema Scope, a revival of Not a Pretty Picture, and a series of films starring Jean Arthur.

Jan 31, 2024 Shifting recklessly between realism and surrealism, this drug-fueled odyssey from director Danny Boyle is a propulsive satire of depleted masculinity in urban Scotland.

Buñuel in Mexico

The Daily

Jan 31, 2024 MoMA presents a series of musicals, comedies, and melodramas injected with Buñuel’s singular surrealist vision.

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