The Criterion Collection
Feb 27, 2024 — Hollywood legend Raoul Walsh’s first movie for Warner Bros. is an epoch-spanning tall tale that takes inspiration from the New York City of his childhood and closes out a run of influential gangster films he inaugurated in the silent era.
The Daily
Feb 26, 2024 — The Berlinale’s top award went to Dahomey on an evening that has sparked heated debate.
The Daily
Feb 23, 2024 — Revivals of work by Raoul Peck and Jean-Pierre Bekolo and conversations with James Gray and Jodie Foster are among this week’s highlights.
The Daily
Feb 21, 2024 — Huppert takes the lead in Hong Sangsoo’s A Traveler’s Needs and André Téchiné’s My New Friends.
Feb 21, 2024 — Combining the influence of the wuxia genre, the Hong Kong New Wave filmmaking of the 1980s, and loony comic-book futurism, these two ass-kicking fantasias are dazzling showcases of female physicality.
Feb 20, 2024 — I have, over time, become wary of and impatient with the word authentic, especially when it’s too casually and blithely deployed, as it often is these days, to defame or diminish someone or something based on arbitrary standards of what...
The Daily
Feb 15, 2024 — Ten Japanese family portraits will screen in New York over the next ten days.
The Daily
Feb 2, 2024 — The week brings the final issue of Cinema Scope, a revival of Not a Pretty Picture, and a series of films starring Jean Arthur.
Jan 31, 2024 — Shifting recklessly between realism and surrealism, this drug-fueled odyssey from director Danny Boyle is a propulsive satire of depleted masculinity in urban Scotland.
The Daily
Jan 31, 2024 — MoMA presents a series of musicals, comedies, and melodramas injected with Buñuel’s singular surrealist vision.