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Sep 4, 1989 — Unintentionally, Jean Renoir’s India-set drama had become an early example of the dissolution of plot critics would hail ten years later in L’avventura.

Aug 24, 1989 — Yasujiro Ozu’s favorite theme of the stresses and strains of parent-child relationships figure prominently in this story of a raggle-taggle theater troupe giving its final performances in a small fishing village.

Jun 25, 1989 — Three men seek shelter from the rain under the ruined gate of the ancient city of Kyoto. There is nothing to do but talk, about a topic which torments two of the wayfarers, who have just been witnesses in a...

Jun 25, 1989 — A thoroughgoing investigation of the terms “bravery” and “cowardice,” Stanley Kubrick’s early work offers far more than a mere “anti-war” statement, paring with almost surgical precision to the heart of the fear, hubris and mendacity that keep the war machine...

Apr 10, 1989 — Two years after The Horse’s Mouth director Ronald Neame cast Alec Guinness in this film, based on a book by James Kennaway.

Apr 10, 1989 — In the Hollywood heyday of the ‘30s and ‘40s, America was synonymous with rip-snorting action-adventure movies. Audiences throughout the world thrilled to such classics as Gunga Din, The Sea Hawk, and Union Pacific. In the 1950s the Japanese made their...

Apr 3, 1989 — If the notion of “fiftes science-fiction films” conjures up pictures of scantily clad women defending their virtue against rubber-suited aliens, it is not for want of exceptions. MGM’s Forbidden Planet remains the most remarkable of these, a glossy, relatively high-budget...

Mar 15, 1989 — When Darling debuted in 1965, Bosley Crowther of the New York Times remarked that director John Schlesinger had “made a film that will set tongues to wagging and moralists wringing their hands.” There was plenty of tongue-wagging over this satirical...

Mar 6, 1989 — This black-and-white horror flick is the definitive ‘50s film about a town that won’t listen to the kids until it’s too late.

Mar 4, 1989 — Alec Guinness used his new-found prominence and clout to initiate a long-cherished ambition, to bring Joyce Cary’s most famous novel to the screen.