The Goalkeeper’s Fear of the Penalty

Aug 11, 2010 — When Terry Zwigoff made his debut feature Louie Bluie in 1985, he didn’t have big plans for a movie career. “My expectations were to show it in my living room to friends,” he explains in a new interview with the...

Mar 5, 2010 — Congratulations to yesterday’s winners, Joe and Michael! Joe’s Hollywood-style tagline for Ikiru was: This summer: Death is only the beginning. And Michael’s, for Rashomon, was: He said. She said. He said. He said. March is Akira Kurosawa month at Criterion....

Jul 10, 2009 — The final, resolutely unfashionable film from grand old master Carl Theodor Dreyer, Gertrud was met with dismissal in 1964 and continues to be somewhat overlooked even today. But this week, Jonathan Rosenbaum reminds us of its unique beauties and unconventional...

Oct 16, 2008 — Michael Boland’s design for Criterion’s special edition release of Vampyr has gotten some special attention of its own, from the prestigious design journal Communications Arts. In the Exhibit section—highlighting “outstanding examples of graphic design and advertising”—of the journal’s website, editors...

Dec 30, 2015 — Reggie Watts is a multifaceted performer best known for his comedy collaborations and improvisational music sets. After spending several years as the front man for Seattle-based rock group Maktub, Watts began his career as a solo performer in the early...

Nov 21, 2008 — Canadian filmmaker and writer Guy Maddin’s Brand upon the Brain!, featuring Isabella Rossellini as the narrator, was released on DVD from the Criterion Collection in 2008. Maddin also contributed essays on Kirk Douglas for our release of Billy Wilder’s Ace...

The actor praises Terry Gilliam’s extraordinary imagination, talks about the subtle beauty and intelligence of Brief Encounter, and examines what made Laurence Olivier’s Shakespearean performances so remarkable.

The actor selects films that speak to the connection between society and the individual, focusing on works of resistance by such directors as Béla Tarr, Yasujiro Ozu, and Ingmar Bergman.

The actor and comedian gravitates to 1940s film noir, the “weirdly timely” shock comedy of John Waters, and movies with memorable soundtracks.