The Criterion Collection
Jun 28, 2011 — Black Moon may well deserve the title of Louis Malle’s film maudit. The release in September 1975 of what he called his “mythological fairy tale taking place in the near future” disconcerted many, especially as people had expected him to...
Features
Jun 29, 2016 — In this essay, first published in Grand Street in 1994, Dr. Strangelove coscreenwriter Terry Southern offers a lively behind-the-scenes look at the film’s production.
The Daily
Mar 4, 2026 — Twenty-one world premieres, several critical favorites from Sundance, and the True Vision Award for Ross McElwee.
The Daily
Nov 14, 2025 — This week: Buñuel revivals, the Rock Hudson centenary, and Mishima’s Japanese premiere.
The Daily
May 1, 2025 — The director of Sambizanga is celebrated with a full retrospective in New York and a free evening of screenings in Los Angeles.
The Daily
May 16, 2024 — Does it measure up? For most reviewers, the answer is a resounding yes—but there are a few outliers.
On the Channel
Dec 28, 2022 — We’re getting real in January with a spotlight on cinema verité, a movement that revolutionized documentary filmmaking.
The Daily
Aug 20, 2019 — With The Hired Hand, Fonda created a classic of the new era ushered in by Easy Rider.
Essays
May 8, 2018 — In his uncharacteristic final masterpiece, the great Hollywood melodramatist Frank Borzage approaches the shadowy violence of film noir with his unique brand of romanticism.
Mar 25, 2016 — Director Ben Wheatley discusses his favorite films, which include Godard’s Weekend. After watching it, he says, “I almost felt like I’d had the stack of cards in my head rearranged and reprogrammed.”