The Criterion Collection
Production Notes
Nov 23, 2006 — I first met Robert Altman in person in 1999, when I was producing a series of video introductions featuring contemporary directors discussing their favorite Janus films. Altman was the first Criterion director to respond to our request. We had sent...
The actor selects an American indie classic by Greg Mottola, talks about rediscovering Videodrome on the Criterion Channel, and selects favorites like How to Get Ahead in Advertising, My Life as a Dog, and Tootsie.
The actor selects classic Hollywood favorites starring Cary Grant, reminisces about working at the Silent Movie Theater in Los Angeles and talks about idolizing Bette Davis’s iconic performances.
The actor and director talks about the making of some of his favorite films, including Shampoo and The Awful Truth; praises the precision of No Country for Old Men; and shares how The Friends of Eddie Coyle has inspired his...
The playwright and actor praises Do the Right Thing as the best film of the eighties, talks about the comfort of watching his favorite westerns, and selects Chicago cinema classics like Hoop Dreams and love jones.
The actor and filmmaker selects favorites like Touki Bouki, Memories of Underdevelopment, and Accattone; shouts out his recent collaborator Claire Denis; and discovers his own work on our shelves.
The actor talks about her favorite scenes in Beau travail and Punch-Drunk Love, admires Nicole Kidman’s performance in To Die For, and shares her desire to dance with Bob Fosse.
The musician selects classic love stories like I Know Where I’m Going! and The Earrings of Madame de . . ., talks about the dramatic suspense of Elevator to the Gallows, and reenacts a favorite moment from Band of Outsiders.
The actor talks about falling in love with classic Hollywood cinema and the work of Preston Sturges, recalls being struck by the danger of Marlon Brando’s acting style in The Fugitive Kind, and selects favorites including Gimme Shelter and The...
The Oscar-winning composer selects favorite films that continue to excite him, including Andrei Rublev and Sid & Nancy; praises the transportive nature of Les Blank’s work; and shares how Nicolas Roeg changed his life.