The Criterion Collection
Aug 22, 2017 — French cinema titan Sacha Guitry brings a savage misanthropy to this exploration of a toxic marriage and the arbitrariness of the legal system.
The Daily
Jun 18, 2017 — “This book will be one of the most important film publications of 2017,” declares David Bordwell, introducing a guest post from Charles Maland, who’s edited Complete Film Criticism: Reviews, Essays, and Manuscripts, Volume Five in the University of Tennessee Press...
May 26, 2017 — “After a foray into relatively restrained period filmmaking in the recent, World War I-set Frantz, François Ozon is back to his old tricks—and really, who's complaining?” asks Jon Frosch in the Hollywood Reporter. “Premiering in competition at Cannes, the French...
May 23, 2017 — “For ardent Hong Sangsoo fans, 2017 couldn’t be a more rewarding year,” writes Bradley Warren at the Playlist. “Not just because the South Korean filmmaker has three new films ready—the first, On the Beach at Night Alone, launched in Berlin—or...
The Daily
May 18, 2017 — Before turning to events happening in various cities, let’s note that the Seventh Art Stand carries on through the end of the month. It’s “a nationwide screening and discussion series presented by 50+ theaters, museums, and community centers in more...
Mar 12, 2017 — With his new film Personal Shopper now in theaters, we’re sharing a conversation we had with the acclaimed French filmmaker during his visit to the Criterion office last October.
Sneak Peeks
Mar 3, 2017 — In his ambitious, decades-spanning The Before Trilogy, Richard Linklater captures the complexities of love and time through the story of Celine (Julie Delpy) and Jesse (Ethan Hawke), who fall for each other as twentysomethings on a train bound for Vienna....
Essays
Feb 24, 2016 — Fifty years after its initial release, Antonio Pietrangeli’s I Knew Her Well is only now emerging as a dazzling peer of the classics of 1960s Italian cinema.
Oct 27, 2014 — Though he emerged from established stage and screen comedy traditions, Tati invented a completely new filmic language.
Features
Oct 2, 2014 — The following is a chapter on The Innocents from cinematographer Freddie Francis’s memoir, The Straight Story from “Moby Dick” to “Glory.” It is reproduced here courtesy of Scarecrow Press. The last picture I worked on as a cinematographer in my...