The Criterion Collection
May 31, 2016 — With Alice in the Cites, Wim Wenders created one of the most nuanced and complex portraits of an empowered young girl ever seen on-screen.
May 25, 2016 — For the past ten years, we’ve been proudly welcoming the Bronx-based school’s students into our Criterion family. As the 2016 school year ends, we’re thrilled to watch another class of young filmmakers express their vision and employ what they’ve learned...
Essays
May 24, 2016 — In The Player, Robert Altman’s early nineties comeback film, the director brilliantly skewers Hollywood—getting all the details right, as only he could—while constructing his own kind of Hollywood Movie.
Apr 29, 2016 — The writer-director of such witty cultural sendups as Metropolitan, Barcelona, and The Last Days of Disco talks about that early-career trilogy; his new Jane Austen adaptation, Love and Friendship; and the filmmaker’s work of capturing the past.
Apr 22, 2016 — Writer Harold Schechter shares a list of five true-crime films that encapsulate the essence of fear—including collection favorites In Cold Blood, The Honeymoon Killers, and Badlands—in the Library of America’s biweekly Moviegoer column.
Apr 8, 2016 — Ten years ago, with the release of his debut film Reprise, a spirited drama about two young aspiring novelists, Norwegian filmmaker Joachim Trier emerged as one of the most interesting new voices in European cinema.
Apr 5, 2016 — As voters in the great state of Wisconsin head to the polls to take part in this year’s presidential primary election, we share some scenes from Robert Drew’s 1960 film, which documented the primary race between Hubert Humphrey and John...
Sneak Peeks
Mar 17, 2016 — Warning! For anyone who has yet to see The Manchurian Candidate, the following video contains one rather large spoiler—but if anyone is going to spoil the surprise, it might as well be the great Angela Lansbury.
Mar 4, 2016 — Over the past half century, production designer Jack Fisk has created some of cinema’s most memorable on-screen worlds—from the farmlands of early-twentieth-century Texas to the byways of contemporary Los Angeles.
Features
Mar 3, 2016 — By the time Charlie Chaplin began work on what would be his first feature-length film, in 1919, he had been sneaking up to the longer format for some time.