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Jan 10, 2018 — The director of the war masterpiece Come and See got his start lampooning social conformity in 1960s Soviet life. Two of his early-career gems are now available on the Criterion Channel on FilmStruck.

Jan 7, 2018 — This past Christmas Eve, Jonas Mekas—filmmaker, poet, critic, co-founder of the journal Film Culture and New York’s Anthology Film Archives—turned ninety-five, certainly occasion enough for IndieWire’s Eric Kohn to get a few words with him. They discuss government support for...

Jan 7, 2018 — The updates to the entry on Paul Thomas Anderson’s Phantom Thread are still rolling in, and one of the most recent ones links to Sheila O'Malley’s cover article for the new issue of Film Comment. “Unlike other clichéd Great Men...

Jan 5, 2018 — For the seventh year running, the First Look festival at the Museum of the Moving Image in New York presents “formally inventive new works that seek to redefine the art form while engaging in a wide range of subjects and...

Jan 2, 2018 — John Hughes created the blueprint for the American teen movie with this pop-culture phenomenon, finding the humanity in an assortment of high school archetypes.

Jan 2, 2018 — New York. “Starting in the mid-1960s, Michelangelo Antonioni became what the German essayist Hans Magnus Enzensberger would call a ‘tourist of the revolution,’” writes J. Hoberman in the New York Times. “Antonioni left Italy to make Blow-Up (1966) in swinging...

Jan 1, 2018 — One of the most intriguing films we can look forward to in the new year is Claire Denis’s English-language debut, High Life. “I’ve always been interested in science, in astrophysics,” Denis told the Hollywood Reporter’s Scott Roxborough in November. “But...

Dec 27, 2017 — Over the past couple of weeks, we’ve lost some writers who’ve made unique contributions to film criticism. At Film Studies for Free, Catherine Grant has posted an entry in memory of “radical film and media scholar” Chuck Kleinhans. “Along with...

Dec 21, 2017 — New York. “One of the great films about childhood and life during wartime, Claude Berri’s piquant, piercing debut, The Two of Us (1967), also stands—despite its highly personal and historic milieu—as a study of a perennial generational conflict,” writes Alan...

Dec 20, 2017 — Over the past decade, contemporary Greek cinema has erupted onto the international film stage with a new vanguard of directors whose bold works share a taste for provocation and highly stylized worlds. This week on the Criterion Channel on FilmStruck,...