Simpsley

May 20, 2019 — While a few find the family drama heavy-handed, most critics are enthusiastically cheering on Loach’s latest competition entry.

May 19, 2019 — The Austrian director, a Cannes regular, is in competition for the first time with a chilly tale of a happiness-inducing flower.

May 19, 2019 — Critics are finding the young Russian director’s second feature to be bleak yet irresistibly masterful.

May 17, 2019 — The golden age of Japanese cinema would not have been the same without visionary cinematographer Kazuo Miyagawa, as the Criterion Channel’s now-streaming retrospective attests. Miyagawa, who over the course of his fifty-year career shot more than 130 films, brought his...

May 16, 2019 — All week long, writers have been reminding us that there was more to Doris Day than sweet sunshine.

May 14, 2019 — It all comes down to that first wink. About half an hour through Michael Haneke’s 1997 cause célèbre Funny Games, Paul (Arno Frisch), one of the two politely psychotic young home invaders who’ve taken a family captive, leads one of his...

May 13, 2019 — Whether he was adapting Lillian Hellman or Stan Lee, Sargent excelled at locating the human heart beating at the center of the story.

May 10, 2019 — The Heiress, one of the most intense psychological dramas to issue from 1940s Hollywood, unfolds almost entirely under one roof: that of the well-appointed Manhattan town house where tremulous Catherine Sloper (an Oscar-winning Olivia de Havilland) lives with her domineering...

May 7, 2019 — “The emotion and conflict between two people in a drawing room can be as exciting as a gun battle, and possibly more exciting,” wrote William Wyler on the release of his film The Heiress in 1949. This tenet is fully borne out...

May 2, 2019 — “To begin with, Gone with the Wind is a woman’s story . . . Mr. Cukor, one of Hollywood’s finest directors and the man who has directed Hepburn and Garbo in some of their best, is known as a woman’s...