Jan 21, 2020 One of the lesser-known films in Godard’s extraordinary run of 1960s masterpieces, this severe, angular thriller was the director’s first foray into the political territory that would prove so essential to his later work.

My Kind of Clown

Features

Jan 20, 2020 In celebration of Federico Fellini’s 100th birthday, the director of The Farewell talks about the deeply moving final scene of Nights of Cabiria and its mixture of pain and hope.

Jan 10, 2020 How many times, in cultural history, has surrealism been declared out for the count? For the German philosopher Walter Benjamin, writing in 1929, surveying the surrealist literature of André Breton, Robert Desnos, and Louis Aragon, the glory days of this...

Last Acts

The Daily

Jan 3, 2020 This week we’ve been reading about Orson Welles, Nina Menkes, Martin Scorsese, Luc Moullet, and the late Robert Frank.

Dec 31, 2019 Check out what’s in store next month on our streaming service!

Dec 23, 2019 Fear and desire lie at the heart of Peter Strickland’s cinema, whether he’s exploring those themes through the sonic, the sexual, the sartorial, or some diabolical combination of all three. With his masterful sense of film technique, the British director...

Dec 11, 2019 One Scene “Who can prove the genuineness of our feelings?” a character asks at one point in the Cannes-award-winning sci-fi drama Little Joe, the first English-language film by Austrian director Jessica Hausner. The question is as good a summation as...

Dec 10, 2019 Rock music, as director Wim Wenders once joked in an interview, offered to him and other Germans of his generation the “only alternative to Beethoven.” There is likely as much truth as hyper­­bole in the statement; considering the role that...

Dec 10, 2019 Wim Wenders has often referred to his Until the End of the World (1991) as the “ultimate road movie,” and even he may not realize how accurate that description has turned out to be. It certainly was, and remains, the...

Dec 3, 2019 As the title card comes up, the movie has already begun, with a frontal view of a dilapidated plantation house, its ivied columns sporadically lit up by a raging storm. Spectators at the time of the film’s release who were...

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